Assil Diab: Being an Arab Muslim female painting the streets is not always applauded
Assil Diab, is a Sudanese visual artist, graphic designer and graffiti artist based in Doha, Qatar. She is the first female graffiti artist emerging from Qatar and Sudan. Assil graduated from Virginia Commonwealth University in 2011 with a Bachelor of Fine Arts Degree in Graphics Design. She also holds a diploma in Digital Marketing and a Diploma in Advanced Social Media Marketing & ORM. Known as ‘Sudalove’, today her work consists of mixed media and painting canvases using nothing but spray paint, “Graffiti on Canvas”. Assil’s first solo graffiti project was with SDI Marketing in Qatar where she was commissioned to paint at the Renaissance Hotel in Qatar for Cirque Eloize’s Press Conference. One of her great achievements was when she joined internationally known French-Tunisian artist El Seed in a Calligraffiti Project to paint one of the largest graffiti projects in the world in the Salwa Road Tunnels. Feature photograph by: Ahmed Shaheen  [bctt tweet=”I’m a very quite person in general but once I start talking, it’s through that can” username=”SheLeadsAfrica”] Photograph by: Tariq Mohammed Al-Fatieh When you are tagging you are basically speaking to the world through street art. From the responses you have had so far do people actually get the message? Being an Arab, Muslim female painting the streets is not always applauded. I’m a very quite person in general but once I start talking, it’s through that can.Graffiti is visually appealing because it is public art. It’s literally putting your art, thoughts, and feelings in people’s faces. Public art has the power to evoke thought and start dialogues. It is my way of communicating with society. Tell us about the very first time you decided to hit the walls. What was the first tag and how was it received? I started doing making art on paper and painting on t-shirts and shoes in my early teens. Then about three years ago, at the age of 25, I began taking it up as a profession. I used to see graffiti everywhere while riding the metro in New York- where I was doing my internship as a photographer & graphic designer in Brooklyn. I was fascinated by graffiti, with all its shapes and colors. I loved what I was seeing on the streets and I wanted to be a part of it. I’ve always liked challenging myself to see what I could do. So in 2013 I joined Public Works Authority ‘Ashghal’ and Qatar Museums Authority. I joined on a 4-month long internship to assist Tunisian-French calligraphist, El Seed, in painting the Salwa Road Tunnels; and that’s where I picked up a spray can for the first time. I have never put the spray can down since those intense 4 months of graffiti. My first exhibition was in VCU-Q Bookstore where I sold 9 paintings of 13 in just two days. The paintings were painted using nothing but spray paint aka “Graffiti on Canvas”. I later switched my signature from my original name assil.diab to SudaLove. Which is my way of expressing my love and represents my home country, Sudan. Photograph by: Ahmed Shaheen  There can be negative connotations associated with graffiti. What do you wish people knew? Graffiti is not just for men. It’s not all about hip-hop, or gang-related, and it doesn’t have to be illegal. Most people don’t take it seriously and fail to see it as a profession. In fact, most of my work is commissioned, so I do get paid for it. Also, often, people confuse mural art for graffiti or vice versa. There is a difference. There are no governing laws or rules to graffiti. Graffiti Is faster/quicker. But, there’s a lot of thought process & sketching when it comes to mural art, also, you don’t tend to use only spray paint when painting a mural. Do you ever collaborate? I’m working on a collaboration right now actually. I’m working with three local artists painting Aspire in Doha, Qatar. The first time I worked with these guys was in December 2016 painting in Katara. Besides these two collaborations I have only done exhibition collabs- where we all showcased our work on canvas in a particular hotel or gallery. Photograph by: Tariq Mohammed Al-Fatieh Approximately how much time do you devote to art? From the time I wake to whenever I need to go back to sleep. If I am not painting, I’m thinking about a sketch way before it needs to go up on a wall or canvas. My surroundings are full of art. I spend even more time looking at art, visiting museums, galleries, events, sketching and writing emails at least two hours a day talking about art. Or responding to emails that involve or commission artwork. [bctt tweet=”Even on the days when I don’t feel creative, I still have a consistent work ethic” username=”SheLeadsAfrica”] Are you still working on fashion as well? Yes, I get special, sometimes unusual requests for T-shirt designs. As a fashion designer, I do not specialize in one category of apparel- I hand paint T-shirts, shoes and hats. I’m also working on a collection of Sudanese women’s “teyabs” using contemporary designs for the younger generation. In 2010, I worked as an intern fashion photographer at Katya Moorman’s Style Defined NYC in Brooklyn, New York. I was also assisting with the design of the marketing materials for Better Than Kate, an award winning street style blog. In addition to taking various courses in fashion design, my graphic design degree provides the required skills for fashion. Photograph by: Tariq Mohammed Al-Fatieh What is your creative process is like? I practice a lot of sketching in my little black book. Sometimes I’ll scan a sketch and enhance it on illustrator or a similar program. Sketching helps me grow and develop. I get inspired by everything – religion, politics, travel, culture, earth, feelings and reading. When I’m interested in developing a new technique in graffiti, specifically, I go out and find a wall to practice on until it’s mastered. Even on the
Chinero Nnamani: I want to be remembered as a conscientious person who was Black, a Woman, and Proud
[bctt tweet=”I created @ChineroNnamani to celebrate & give well-deserved credit to Africa’s influence in our culture” via=”no”] Since childhood, Chinero Nnamani has been fascinated by the world around her. As someone with too many ideas, deciding a career wasn’t a straightforward process. Chinero wanted to be a nurse, a graphic designer, a lawyer, a social activist, an inventor, a politician, a psychologist…and the list goes on. In her search for a calling, Chinero learned about: computer science and graphic design in Sweden, creative writing and public policy in California, philosophy and psychology in London, statistics and data management in India, anthropology and human anatomy in Nigeria, and much more. With these experiences, Chinero learned how deeply embedded African influences were to the foundations of civilizations. She then created the Chinero Nnamani brand to celebrate, and give well-deserved credit, to Africa’s influence in our culture and other cultures throughout the world. How do you blend technology and art in your aesthetic? The many interconnections between technology, mathematics, and art provide a wealth of material to emphasize the fusion of African influences. My patterns tend to also celebrate math and technology with geometric influences, and the use of simple grids and linear perspective. The symbiosis of art and technology, in my opinion, allows for the most striking prints and clothing designs. You make your own original prints, how easy or difficult has it been creating them? I enjoy making prints by hand, but I can’t emphasize enough how technology has changed the game, and become integral to how I create my patterns, as it is incredibly convenient to travel with a tablet and stylus. So to answer your question, it is very easy and fun to create my prints! Can you tell us more about what you worked on before starting your brand? Before starting my brand I worked as a freelance graphic designer, illustrator and web designer. I also worked as the Practice Manager of a Mental Health clinic. These experiences have only helped consolidate my undergraduate experiences, and contribute to my personal and professional growth as a thinker, advocate, collaborator, manager, and leader. What was particularly challenging to you when you decided to create the Chinero Nnamani brand? The most challenging aspect of starting the brand was human resources, and finding and/or training reliable people to uphold my quality standards in Nigeria. You really have to firmly and consistently foster an organizational culture of efficiency and high quality in Nigeria, or the quality will suffer without proper systems in place. Fortunately, I have steadily built an amazing team of people in Nigeria that are always eager to learn and excel. [bctt tweet=”…the most valuable things I learned were how embedded African influences were to the foundations of civilizations.” via=”no”] You are present online and your flagship store is at the Jabi Lake Mall in Abuja. How did you go about opening the physical store? Opening the store in Jabi, Abuja was a beautiful experience. From our massive ornate mirrors, to our gold shelving, and blends of ornamentation and joyful visuals, I really was able to fulfill my vision for the space and have it emphasize global acuity and African pride. What’s the creative process like for you? Where do you go, and what do you do, when you need inspiration? I typically begin with a simple doodle or sketch in a moleskin notebook. I like to be out in nature or sitting by a window when I want to create. Inspiration is drawn from the fluid forms and sharp colors of nature, music, traditional food, Nigerian folk art, masked dance, ancestral drums, Igbo attires, and the shear wealth of African influences and innovations in cultures and textiles throughout the world. What is your three-year growth plan for Chinero Nnamani? My three-year growth plan for the Chinero Nnamani brand is pursuing more expansion opportunities in the U.S. with physical store locations in malls, and pop-up events. I also plan to release more lifestyle products like furniture, leather goods, and more! In one sentence, how will you like to be remembered? I want to be remembered as a conscientious person who was Black, a Woman, and Proud. This is a sponsored post.