Noluvuyo Cakwebe: There’s much more to fashion designing than fabric cutting
When thinking about a fashion degree, the popular career choice would be being a fashion designer or seamstress. But there are many more than that. Over the next few weeks, I’ll be unpicking this industry along with its various career options. I’ll be shedding a little light on each career option in this industry. I ‘e-met’ (met over email) Noluvuyo Cakwebe earlier this year when I was sourcing clothes and shoes for a photo-shoot. Her willingness to help, without knowing me from a bar of soap was amazing, I couldn’t simply forget her! Of course, when I started this journey of finding out more about this industry, I immediately thought of her! When Noluvuyo isn’t in the kitchen, (which she loves), cooking up something delicious to share with her friends and family, she tries to keep up with her love of running. She enters as many running events as she can. And in the few minutes she has for herself, she is always sewing up something for herself or her friends. My series of articles on fashion-related careers is aimed at educating people about the various career options they have with a fashion qualification. Would you say that someone who also has a National Diploma in Fashion has other options, besides being a Fashion Designer? Most definitely, most people think that fashion ends with being a fashion designer, pattern maker or fabric cutter, but it is broader than that. One can go into procurement —buying, sourcing, retail planning, retail–visual merchandising, sales, store management, personal shopper/stylist, editorial assistant, quality assurance and warehouse assistant/ manager. Yes! Being a fashion designer is not the only option! I understand that you’re a merchandise coordinator. Please tell the readers a little more about your position. I am the merchandise coordinator for the men’s fashion department, at Spitz. My role entails assisting the buyer with raising orders, liaising with suppliers and the marketing department. Also, I manage and receive department samples, compile trends and competitor reports, compile and analyze sales and month-end reports. And how did you get into this career? I studied a National Diploma in Fashion and further completed a certificate in Wholesale & Retail Buying & Planning. I studied at the University of Johannesburg and got my certificate in Wholesale & Retail Buying & Planning at EDCON under SETA. What does your typical day look like? It is nothing like a picture from the Devil Wears Prada! I come in every morning to catch up on emails relating to stock deliveries and due costing for the stock to arrive at the warehouse. Then, I ensure that we are receiving stock at a good margin and good price. I analyze daily sales by identifying good and best sellers (stock that’s selling well or badly) for my brands. Alright and how would you combat the poorly performing stock? How do help them perform better? As much as we try to buy styles based on fashion trends and sales history, it is sometimes hard to nail the sales we project. So we analyze what the possible reasons could be. For instance, it could be a certain style detail that could have been in fashion but doesn’t seem appealing to our target market. Other instances could be price-points. We may just be highly-priced compared to our competitors and need to reduce the price. Sometimes, we may have missed opportunities in allocating stock to the correct stores. So we move the styles to stores that are performing better. With our South African economy and unemployment looking very bleak, would you say that a career in fashion offers the possibility of entrepreneurship for graduates? Yes, I believe anyone can start any business with the use of their hands and minds. One could venture into making simple things such as handbags, accessories, clothing or curtains, to having a business that sources t-shirts, work wear, and small corporate gifts. Nowadays, most people are even making money from blogging in their spare time. Some sell a variety of products over social platforms, such as Instagram and Facebook. However, one should never underestimate the advantage of working for someone. That’s if you have a dream of starting your own business one day. You get to absorb a lot of skills and knowledge. Especially if you are intending on starting a business in the same industry. Experience can go a long way. What would your advice be to scholars who want to follow a fashion-related career? This might sound cliché, but I have always known I would end up in the fashion industry since I was a little girl. You need passion for the ever-changing trends, be creative and highly driven. Being able to work efficiently on your own, work smart and plan your week in order to make necessary deadlines are all important. A sharp eye for detail is required in ensuring that you don’t miss anything crucial. Breaking into the industry is tough and competitive. But if you have a vision of the future, your career journey will be enjoyable and fruitful. Have fun exploring other career paths that you could possibly have an interest in the near future. Never limit your abilities! Do you have any advice for the parents of the scholars wanting to follow a career in fashion? I have always appreciated how my mother supported me, from the day I told her what I wanted to study in varsity (fashion). There is a lot of pressure in delivering what is needed, especially when your child has more than 6 subjects in one semester. They will need support in advising them on how to manage their time, with school and their social life. Parents should prepare themselves for unforeseen expenses for projects and fabrics. With so many activities and promotions that are held on campus, they give your child an opportunity to make extra money. You can find Noluvuyo on LinkedIn as; Noluvuyo Cakwebe. Want to see women you know featured on SLA? Tell us what amazing things women are doing in your communities here.
Edem Fairre: I need to push more boundaries if I must get to the top
Edem Fairre is one of the few models in Ghana who has managed to turn modelling into a career. She was discovered by Donthes Media in 2010 fully ventured into modelling in 2014. Though she has been in the industry for barely two years, she has walked several runways across the country; worked with known brands like Beige Capital Bank, Nivea, Renault, Samsung, Bayer Chemist, Joy FM, DSTV sport, Airtel Ghana as well as various fashion designers. She holds a managerial position in one of the top modeling agencies in Ghana, Empire Gh Models. Naana Joa had a chat with Edem, who though has achieved so much in the industry than many Ghanaian models, still feels the need to push more boundaries to achieve her goal. Why do you feel the need to push more boundaries? What is the goal? It doesn’t matter your achievement in life, there’s always room for improvement. There’s always something new to learn; a new goal to set and achieve. I’ve focused mostly on lingerie, promotional, commercial and sport modeling. I’ve not had time to perfect my runway skills but this is something I intend to correct. There’s more to achieve in my field of work. Equipping myself and excelling at all aspects of modeling will help me stand a better chance at getting to the top. My goal is to be a supermodel like Naomi Campbell or Tyra Banks who managed to establish themselves as the most recognised and in-demand models of their time. I also want to prove that modelling is a real career like law, medicine, engineering and business. Entrepreneurs and professionals alike complain of bottlenecks to getting to their goals and reaching the top. What would you say has been a hindrance for you? It’s easier blaming where I come from but that would be somewhat unfair since Africa has raised champions. I admit there are limitations in Africa. You’ll need to go the extra mile to break boundaries here. But with hardwork, dedication and talent, I believe this can be done. Personally, I’ve had challenges like self-doubt, my current studies at the university, and lack of funds. Surprisingly, models also doubt their work and themselves. Our job is to portray a character and the goal is to get it right. So when the results for the work done shows otherwise, self-doubt sets in. You begin to doubt your worth and suitability. I am currently studying ABE UK marketing management at the university. This simply means losing some job opportunities. But this course is to help me manage my brand better so I’m not one to complain. In the industry, other people call the shots especially when you do not have the funds to promote your brand. You are taken advantage of and made to settle for less than you deserve. Professionally, I will say unhealthy competitions and partiality is another challenge. Though the modeling industry in Ghana is small, it is very competitive and I love competitions. They push you to be better at what you do. But it gets ugly when competitors use unethical means to get contracts. This results in unqualified models being given jobs while the qualified are bypassed. What steps are you taking to changing the narrative? Regarding self-doubt, I am working on building my self-confidence and keeping a positive mind and outlook on things. I have also accepted that losing jobs because I have to be in school is totally worth it. To solve the issue of lack of funds, I am on the verge of breaking through in the movie industry. Also in the pipeline is hosting gig for a television show called Event Update on Top TV. These I believe would give me something on the side to help push me to the top. With unhealthy competitions and partiality, I believe models need to be independent. This way, they are able to fund their own projects. This may not entirely solve the issue. However, it would be a start. Advice for budding models? Be yourself Respect yourself and those you work with Don’t sell yourself short in the name of modeling Accept a good job even if it may not pay well If you were to contest with an African model, who would it be? Well, I’d contest with myself. There must be a secret to your success as a model. Tell us about it. If I tell then it wouldn’t be a secret anymore. But I’d be willing to share with any woman who joins the modelling family. Do you ever imagine not reaching your goals? What would you do if that happens? That is not an option! I have worked so hard and patiently. I will not accept failure. Want to see women you know featured on SLA? Tell us what amazing things women are doing in your communities here.
Manyaku Mositsa: This is not something you get to learn in school
South African Manyaku Mositsa is a 31-year-old dreamer and achiever who grew up on the dusty roads of Mohlaletse Ga Sekhukhune. Though a graduate of Biotechnology from the University of Johannesburg, Manyaku left paid employment to pursue her passion for fashion. She just wasn’t happy with wearing the overalls that came with her job in SAB laboratory. Now a fashion designer, Manyaku has expanded to make her passion for empowering women with skills and experience a reality through her organisation, Giving Hope. SLA contributor Makalele spoke to Manyaku on fashion, inspiration and managing multiple initiatives. You could have chosen any other career path. Why fashion? It started as a hobby. Since I was five, I’ve liked dressing up. I loved wearing mommy’s clothes and doing the catwalk in front of the mirror. But I never imagined doing it for a living. As a young girl, I dressed differently because I thought the kind of clothes I wanted were just not available in clothing stores. In 2005, during my in-service training at SAB laboratory, I would dress up to work even though I knew I would need to change into a work suit and safety boots. Though I enjoyed the job, I never really liked wearing overalls. Finally, in 2010, I decided to pursue my dream for fashion by taking part time classes in dressmaking. I did the fashion business part time till in 2014 when I left my full-time job to fulfill my passion. My personal philosophy is, ”the best way to master something is by actively doing it with a strong will.” What is your favourite part of being a fashion designer? I love that I can be unique, inspire others and of course, turn heads. Your designs are so good. What inspires them? My inspiration comes from the desire to prove to myself and the world that ladies in dresses can be fashionable too. I also get my inspiration from unique fabrics and textures. My celebrity muse also plays a major role. What’s fashion to you? Fashion is simply dressing and accessorizing in style. You’ve got to have an eye for it. This is how successful fashion designers are able to create trends. Aside fashion, you’re involved in other projects. Tell us about your current project, Giving Hope. Giving Hope is a division of UD Holdings aimed at empowering young women with skills and work experience. We help them become employable and young entrepreneurs. The focus is on designing, clothing production, shoe making , bags and hats manufacturing , beauty therapy as well as events management. How do you manage running a fashion house and an organization? My love for what I do wakes me up every morning. This is where I get my drive for the day. This is not something you get to learn in school. I run both ventures in the same premises and that has made managing them a whole lot easier. I had to learn to stop procrastinating and just do it. Of course I’ve had some challenges but it’s worth it. What do you do for fun? The nice thing about this industry is you can work while having fun. Traveling, fashion shows, photo shoots, getting myself pampered all form a part of my fun activities and work too. We want to know what amazing things women are doing in your communities! Tell us here.
Kuwala: The African continent isn’t simply inspiration for Western designers
It’s never easy connecting with emerging businesses half way across the world but Malawians Freeda and Veronica, founders of Kuwala, make it look simple as cake. Both women want to share their connection with Africa through heritage and fashion. Their brand, Kuwala focuses on vibrant African prints like the chitenge and their goal is to encourage ethical production methods. Kuwala achieves this by partnering with select fashion brands and designers that have unique messages to share. We had a chat with the friends turned business partners on how they promote high-quality fashion designed in Africa and they promote high-quality fashion designed in Africa and about how Africa can be more than just an inspiration for Western designers, but a fashion hub for creativity and manufacturing. Who are Freeda and Veronica? How did you both decide to start Kuwala? We are Malawian women who share a strong connection with the African continent through our heritage and fashion. Both our families had been close friends for some years. When Veronica moved to Toronto, the same city as Freeda, we further connected as friends. Interestingly, while discussing our life and career goals, we realized we had similar goals for business, fashion and staying connected to Africa. After months of researching and planning, Kuwala was launched in January 2014 and the rest is history. How do you identify socially responsible fashion brands for Kuwala? First, before agreeing to partner with brands, we consider their online presence and the message they share on their website and social media. Today, it’s almost impossible to have a business without some sort of online presence. From there, we email people we intend establishing a partnership with and negotiate terms that are mutually beneficial. Also, when we can, we also travel to the countries where the designers are based to further connect and review their operations. We think Africa has the potential to become a fashion manufacturing hub. In summary, through Kuwala partnerships, we want to encourage and promote ethical production methods across Africa. Who is the ideal Kuwala shopper? Simply, our ideal shopper is a woman that’s interested in rocking African inspired fashion in her everyday life. She understands Kuwala’s mission and is interested in spreading the stories of the brands we work with. Typically, her wardrobe is full of vibrant colors and unique prints. She simply enjoys standing out in a crowd and not conforming to trends. Most people are familiar with the wax prints of West Africa or the Ghanaian kente cloth. Do you work with Malawian fabrics? Of course, the most commonly worn fabric in Malawi is the chitenge. This cotton cloth comes in a variety of vibrant prints and patterns. It is also known as ankara or kitenge and is most popularly worn in Southern and West African countries. Most of the clothing on kuwala.co is made from this print. How is Kuwala redefining African fashion abroad? Tell us about your new model to connect fashion designers in the Diaspora. Basically, through Kuwala, we aim to promote the idea that beautiful and high-quality fashion can be designed and made in Africa. We want to dispel the idea that the African continent is simply an inspiration for Western designers. Whether it’s in-person or on our website, we try sharing stories of the designers and brands we work with. Also, with our new model, we’re working on facilitating partnerships with designers in the Diaspora. Kuwala works in Canada, Kenya, Malawi, Ghana and the United Kingdom, how do you manage this? Have you started manufacturing on the African continent? We manage everything through technology. From social media to emails and phone calls, technology has really helped us to better manage Kuwala effectively. In the past, it’s never been this easy to connect with emerging businesses half way across the world. We manufacture in Africa through the brands we partner with that are based on the continent. Also, like with most businesses, running Kuwala has had its share of ups and downs. However, this whole process has been a learning experience and we learn from the past mistakes made. You and Freeda have visited many African countries, what is your top advice on travelling the continent? Veronica: My advice for travelling in Africa is eat everything! No matter how different or “strange” it is. Be open to tasting the many delicious dishes that are available across the continent. It’s okay to not like it, but at least you’ll be able to say you tried something your friends back home haven’t eaten. Freeda: I am not as adventurous as Veronica in the food department. I would say, be prepared to have some of your preconceived ideas and assumptions about Africa dispelled. In addition, remember to also appreciate the beauty and diversity because that narrative of Africa is often overshadowed. Interested in collaborating with Veronica & Freeda? Reach out to the dynamic duo at hello@kuwala.co. To stay up-to-date with what’s going on at Kuwala, follow them on Instagram, Facebook and Twitter. If you’d like to share your story with She Leads Africa, let us know more about you and your story here.
Twitter Chat with Carmen Attikossie: Starting a fashion line with no money (Sept. 22nd)
Don’t miss another event! Join our community and always stay informed. Ready to plunge into entrepreneurship but you have no money? Interested in starting a fashion line but not sure where or how to start? Wondering how to build your company while completing your studies? If you answered yes to any of those questions, then you can’t miss this twitter chat. On Thursday September 22nd, we will be chatting with Togolese-American, Carmen Attikossie, founder of Cartik, an ethical fashion line. Follow She Leads Africa on twitter and use the hashtag #SLAChats to ask your questions and participate in the discussion. Topics that we’ll cover: How to take the plunge into entrepreneurship Getting your company started with little to no money Balancing your studies with a budding company What it means to have an ethical fashion line How to work with artisans, manufacturers and clients that are in various countries Twitter chat details: Date: Thursday September 22nd, 2016 Time: 1:00pm New York City// 6:00pm Lagos Location: Follow She Leads Africa on twitter and use the hashtag #SLAChats About Carmen Attikossie Carmen Attikossie recently graduated from St. Catherine’s University in St. Paul, Minnesota, USA with a degree in International Relations and French. She is the founder of Cartik, an ethical fashion/ social entrepreneurship brand that works with artisans in Ghana and her home country of Togo. Carmen has a deep passion for Africa’s economic development and is currently working on growing and expanding her company.
Connecting the African Diaspora through fashion and entrepreneurship
As an undergraduate at University of Pennsylvania, I was blessed with the opportunity to study abroad twice in Ghana. This was the first time that anyone in my family, since we were brought to the USA as slaves, had the chance to return to our ancestral land. While in Ghana, I was exposed to the vibrant and stunning Ankara fabrics and traditional Kente cloth. I instantly fell in love with the fashion there and it’s potential to grow beyond the shores of West Africa and take root and blossom around the globe. I was also intrigued by the prospective economic impact that fashion could contribute to the households of Ghanaian artisans. Then LaBré was born Over the past year I’ve been vigorously working to realize my goals of creating and launching an African inspired fashion line, LaBré. LaBré exists to increase economic growth in Ghana through job creation. It also aims to provide Ghanaian artisans and their products with access and exposure to the international market. LaBré primarily employs women, a population that is often the most disenfranchised. We just recently led a Kickstarter campaign which culminated into a little under $11,000 to employ more Ghanaian artisans with our company. I am proud of the fact that all of our items are handmade in Ghana by Ghanaian artisans. My inspiration comes from my ancestors At the end of the Civil War, most southern African Americans who didn’t migrate to the North made a living through sharecropping which replaced plantation slavery. This is also known as tenant farming. These systems required farmers to plant and grow crops for the owner of the land in exchange for a portion of the crop. Sometimes, it required farmers to use their labor as rent to reside on the owner’s land. Sharecropping and tenant farming has persisted in my family to my grandmother’s generation. As a result of having to be self-reliant, my grandmother grew up knowing how to plant cotton. Through sewing, she also knew how to turn the raw material into cloth. My passion and dedication to create LaBré has culminated into the inter-generational exchange of technical skills. Not only that, it continues to build upon the legacy of self-empowerment, ingenuity, and tenacity. The power of Diasporic connections Learning to deal with the challenges that come with running a business overseas, has made me appreciate the diligence of Ghanaian entrepreneurs. I’ve had to work with electric cuts, language barrier and a lack of efficient telecommunication. Add to that the fact that I’m not physically present. The networks I’ve made have been helpful. Particularly with entrepreneur Peter Paul Akanko, CEO of Kente Masters. Paul helps coordinate and implement LaBré logistical operations on the ground such as shipping, inventory, and photoshoots. In February 2016, the unemployment rate for Black American ages 16-24 was 14.5%. This is similar to the situation in Ghana. Young people aged 24 and under make up 57% of the Ghanaian population. According to the World Bank’s “The Landscape of Jobs in Ghana” report, 48% of Ghanaians between the ages of 15-24 don’t have jobs. My friendship with Peter is a great example of what collaboration throughout the Diaspora and youth entrepreneurship can produce. Telling history through fashion When you wear LaBré you aren’t just wearing beautiful clothes, you are showcasing your resistance.You’re showing that you are critical of where you invest your money, from who and where you buy, and in what you wear. The common narrative is the extraction of wealth and resources from Africa. Through LaBré I am seeking to invest in the Ghanaian economy by providing supply for the rapidly growing demand for African inspired fashion. As an African American, many of us desire to reconnect with our place of origin in meaningful ways. Through LaBré I am telling history through fashion. Our men and women summer collections are both named after Ghanaian liberation leaders, Queen Mother Yaa Asantewaa and King Badu Bonsu II. These are people who we in America grow up with no knowledge of. LaBré is committed to promoting heritage and traditional fabrics through modern design by producing a compelling fashion-forward aesthetic. I plan to build LaBré into a global Diasporic community connecting people through fashion, art, history, and culture. I am currently creating an online platform with Andre Glover of Indsic. The platform will allow Ghanaian artisans mass market and showcase their designs to a global audience and customer base. This is a grassroots effort that will work with local artisans. From the Kente weaving villages of Andanwomase and Bowire to market women in Kejetia and Tamale. I didn’t realize I would be using my International Relations and African Studies degree to create LaBré. If I could go back and give myself advice before starting my company it would be to “trust God and do it now.”
How to be a fashion model when you’re clueless
Those who are aware know that modelling is a fast-paced exciting career that can take you to new places. But breaking into the fashion scene can be hard, especially if you’re aiming international and you’re an African girl. To find out more, we talked to Aina Fadina, a model and entrepreneur who has done in-house work for Oscar De La Renta, Alexander McQueen, Versace and more. Aina graciously shared her advice on breaking into the fashion industry and the tools any aspiring model needs. Understand the business Top models from Naomi Campbell to Jourdan Dunn have called out the challenges of being a black model and Aina agrees. “I think the fashion business is still very challenging for any model. Period. The business has changed so much but for the black model, it is a lot harder. I have seen a slight increase of black girls in editorials and commercials. Brands have finally noticed the power consumers have, however, it is still challenging.” The challenge is further complicated by the fact that models now compete with celebrities for jobs. Aina’s advice is that if you understand the business and are strategic enough, you can pull through. Tips to get into the industry There are no shortcuts to this, you’ll have to work hard while remaining smart. Aina’s top tips are, Do your homework. Study boards of the top agencies and brands to learn about the business behind fashion and network authentically. Get a mentor! In every profession, you need mentorships so find someone willing to guide you through. The power of social media If you’re broke, have no connections and still want to be a model, social media is your friend. Learn to use it to your advantage. These days, clients are going directly to talents, so you need to know how to market yourself. Also, consider getting a part-time job in fashion or entertainment industry, it can help to gain access. Maintaining relevance as a model Now once you’ve gotten into the industry and are working your way to being a top model, you still need to be on top of your game. The most important thing for Aina is being nice to your clients and agents. She says you should always check in with your agents and have great work ethics and values. Make sure you show up before your call time and always offer to stay longer if needed. Aina shared this saying, “It is nice to be important; however, it is more important to be nice.” Wise words, right? Good luck to you as you embark on your modelling career!
Delphine Groot: Your success as an entrepreneur is determined by your willingness to work hard
Delphine Groot had her big breakthrough into the African-inspired fashion scene in the Netherlands in 2015. That was when she had the opportunity to showcase her collection at the Locked & Loose event in Amsterdam in the summer of 2015. Organized by The Natural Hair Club, the event exposed her unique collection to a crowd of entrepreneurs, designers, sponsors, and consumers. Many of whom were impressed and this eventually generated publicity and sales for her brand, Bobo Couture. SLA contributor Uloma Ogba, spoke with Delphine on seeking alternatives to follow her passion and being a cultural ambassador for Africa in the Netherlands. How did you decide on the name “Bobo Couture”? I belong to the Bobo ethnic group, native to Mali and Burkina Faso. The Bobo people have a thousand-year-old tradition of handicrafts and textiles. When choosing a name for my fashion brand, I felt that Bobo was fitting. Bobo captures who I am and what I want to bring to the fashion industry. I bring with me well-designed and crafted clothing, and jewelry inspired by my rich African heritage. What was your motivation for starting your own business? I was born in Mali but grew up in the Netherlands and in several other African countries. So, I have seen a fair bit of the world and absorbed parts of the different cultures I have been exposed to. In university, I studied Human Geography and International Development because I wanted to understand the role of cultural exchange in global development. However, after graduation, I quickly realized that I was not suited for office work. And so, I decided to seek alternatives to follow my passion. I came up with the idea of starting my own business. I wanted to find a way to apply my studies to something that I find both practical and engaging. Through Bobo Couture, I am able to participate in the cultural exchange process. I do this by creating access in the West to the creations of local people in various African communities. For every item I sell and when I get a chance to tell the story behind its creation, I see myself playing a role as a cultural ambassador for Africa. What is the process like for you as a designer and an entrepreneur? First, I must give credit to my mother who is my business partner and provides a lot of creative input. Together, we decide on the right fabrics and designs for each collection. The goal is to showcase different aspects of our African culture that our customer base in the Netherlands can relate to and appreciate. My culture is very vibrant, colourful, exciting, playful at times, and very focused on community. I try to make sure each collection represents that in varying degrees. From reviews I have read and from your own accounts, your brand Bobo Couture is doing really well, exceeding even your expectations. How do you think you are contributing to the development of Africa as you say? All the fabrics and textiles that we work with, for the clothing and jewelry, are sourced locally. We also employ tailors and craftsmen in Mali, Togo, Kenya, and Ghana. By providing them with work on a consistent and growing basis, we contribute to their economic development and professional growth. We want our workers to take pride in the things that they produce. We also want them to know that our goal is to ensure that their work and the meaning behind it, reaches a wider audience. You recently expanded your business to set up a physical location. In addition you manage the online store and travel back and forth between the Netherlands and Kenya to import the clothes. How are you able to find balance in your life? To be honest, these days it seems like all I do is work. But I love seeing the efforts of my hard work come to fruition. In the first year of Bobo Couture, I had to give up my personal life. No going out with friends or going on vacation. Since we opened the store, even though we employ some local girls to help out, I still have to be present most of the time. The only things that keep me sane are using what little time I have to keep up with the gym and talking to my family. These provide me with the physical and moral support I need. Given your experiences, what would be your advice to aspiring entrepreneurs? If I could give one piece of advice it would be that hard work is the most important key to your success. There are going to be many challenging times ahead. But you have to try to view failures as part of the learning process to reaching your goal. Set big goals and dare to achieve them. When I started, a lot of people tried to discourage me. I heard the market was already saturated and it would be hard to stand out. Before I got an assistant, I had to transport all my clothes to and from events by myself. But I always believed in myself and in my ideas and that is what got me here today. Any final thoughts? I think a big part of why my designs sell so well is because they are a true reflection of who I am. I would never sell anything that I wouldn’t proudly wear myself. Whatever brand you choose, if it reflects you, then selling it to the public will never feel like hard work. Want to see women you know featured on SLA? Tell us what amazing things women are doing in your communities here.
I started Cartik with less than $3 to my name
I started Cartik, an ethical fashion and social entrepreneurship brand in 2013 while studying abroad in Ghana. A significant part of my program as an International Relations major at St. Catherine’s University in St. Paul, Minneapolis, was to study abroad for a semester or a year. So, I spent a semester in Paris, France on a scholarship sponsored by the US Department of State’s Bureau of educational and cultural affairs. After my time in France, I planned to go to Ghana to study the culture, the people, and their political system. My scholarship to Ghana was declined but I was already enrolled in the program that summer. So, I worked every job I could find and saved enough money to purchase a ticket to Ghana. My tuition covered the fees and the only issue left was my survival for the rest of the semester. Struggling to go to Ghana made me realize how much I needed to make extra income back in USA. My Ghanaian experience While in Ghana, my aunt in Togo paid me a visit and we travelled back to Togo to see family. It had been 15 years since I last visited and I felt like a complete stranger in my own country. My aunt and I had gone to the market in Lomé, the capital city of Togo. As we walked through the market, all I saw was beautiful African wax prints everywhere. My aunt, being the queen of prints asked me to help select them. My interest was piqued when my aunt advised that I consider doing something with prints. In need of extra income and knowing the demand for prints in the US would be huge, I considered it. Soon, I was making inquiries in Ghana and during trips to Togo on bags and accessories with African prints. Breaking through the business world A young woman I met at the University of Ghana, Legon where I was staying, showed me some bags that I liked. Originally, I was going to just buy bags and sell them in the USA but I didn’t like some of the ones I saw. This led me to start sketching my own designs and jotting down ideas of what I’d like. Though I had no background in design and could barely draw to save my life, I was willing to try. When my time in Ghana came to an end, I had used all the money I earned to start Cartik. With $2.85 to my name and no books for the coming semester, I returned to the USA with 30 bags and some jewelry. It was an audacious move but I told myself even if I failed, at least I tried. Within two months, I had sold everything and even needed to get more products. I went from ordering 30 to 60, then 200 bags. I was running Cartik’s operations from my dorm on campus with the help of my aunt and cousins in Ghana and Togo. Growing Cartik I started getting invited to events to showcase my products as everyone on my campus and even local colleges around the city in St. Paul and Minneapolis knew about my business. In my last year in college, a friend invited me to her economic development class. As I listened to a professor speak about economic development in developing countries, I realized how everything spoken about came naturally to me. I decided that very moment, what I wanted to do with my brand. I was going to grow Cartik into an ethical fashion and social entrepreneurship brand that works with artisans in Togo and Ghana. I was going to fuse my knowledge as an international relations major into my business. Although it’s been 2 years since we started, I still consider Cartik a startup. We’ve done many local fashion shows in Minneapolis and more recently, we did something for RAW in Phoenix, Arizona. RAW is an international artist coalition group that serves as a platform for designers, musicians, etc. I truly believe I have started a brand with the potential to make a huge impact in Africa. The future? In the future, I hope to expand into producing my own African textiles, provide education and development for women and children. Also, I would love to go into cosmetics, agriculture, and start a foundation to mentor young individuals wanting to start a business. Of course, I am trying to create an altruistic brand that will stimulate economic development and prosperity. I want to create jobs and opportunities for people in Togo, Ghana and other parts of the African continent.
Lornah Achieng: What it means to be a Christian fashion blogger
The faith industry is large and booming but it’s not limited to the pulpit. We have Christian books, a growing Christian movie industry and also Christian bloggers. Born and raised in Kenya, Lornah Achieng is a faith, fashion and lifestyle blogger. She says she started the platform to share life experiences and discoveries from the Bible -which she considers the core of her foundation. Through her blog, Lornah aims to inspire people to learn more about God, modest fashion, and inner beauty. SLA contributor Zipporah caught up with Lornah to uncover the inner workings of a faith blogger as well as other projects Lornah is involved in. Why the Cherries Vineyard blog? What inspired you to start? Cherries Vineyard was inspired from the book of John 15:1-8 which describes Jesus as the true vine. We are the branches and God is the vine-dresser. Actually the name came out when I was contemplating which blog title to use, and my mind landed on “Cherries Vineyard”. At first, I thought it was a captivating sweet name but through the years I’ve come to understand that it is a spiritual process. It was after that realization that I got the scripture, it is really amazing how God orchestrates things . When did your interest in fashion and blogging start? Honestly growing up, I was never keen on details and fashion per se. My sister is the one who made me realize the passion within. She used to correct me on the combination of clothes I wore and she still does once in a while. Through her, I was able to discover my love for fashion. What have been your greatest achievements? I can say being able to come out as a Christian blogger! Because I realized my passion is writing and being able to share the truth on my blog is quite daunting! You know people can at times be scared to speak the truth for fear of being rejected. Also through blogging, I have been able to grow spiritually. Like I said before, to me blogging is a spiritual process where I am able to learn more about being authentic. I can’t take people from where I have not been, I have to first be that which I encourage my readers to be. This has pushed me to mature and grow. To me that is an achievement. Tell us more about your interest in digital marketing I studied a Bachelor of Business and Information for my undergraduate and that is where my interest in marketing was cultivated. Currently, I do marketing and work with different brands offering them digital marketing strategies. What defines modest clothing to you? Personally, modest clothing is more than just a mere dress code. It not being religious or old-fashioned, rather, it is a way of expressing true love towards God by aligning ourselves to His standards –holiness. When we get to understand that our beauty doesn’t come from outward adornment of fine clothes but inner disposition of our heart, then dressing modestly becomes a matter of our relationship with God. With God there is purity and a renewed mind, this is automatically reflected in how we dress. Describe your style Simple, modest, elegant and classy if that is not mouthful. Who are your favorite icons that embody modesty? I’ll say the women of the past. First look at Peter 3:5 then, anyone whose modesty comes from within. Nash Amber of Set Apart style is also one among many inspiring bloggers who are ambassadors of true modesty. Do you have any future plans? My future plan is to impact lives with values and spread the truth about modesty. I want people to know that true modesty starts with the heart first before the clothing! Want to see women you know featured on SLA? Tell us what amazing things women are doing in your communities here.